THE REAL ME
"How long are you going to hide behind that nom de blog, sliced tongue?" the good people ask.
Well, good people, herewith is a video of yours truly, wherein I endeavor to instruct you all, by dint of physical example, how to get your fucking ass down in da club.
Wednesday, June 24, 2009
Thursday, June 18, 2009
Tuesday, June 16, 2009
D(U)MB
The Dave Matthews Band have a new album out, and boy howdy, it does not disappoint.
Well, fuck no-- of course I haven't heard it. I'm just referring to the singularly awful title: Big Whiskey and the GrooGrux King.
“But dude,” the hemp-stained wretches would protest, “GrooGrux was the nickname of LeRoi Moore, Dave's fallen band bro. Or maybe it was just Groo. Or Grux. Whatever, dude. Wanna hackey?”
No, hemp-stained wretch-- I most certainly do not want to hackey.
Now turn that baseball cap around and throw out those ratty sandals already. You're 35 for god's sake.
We solid?
The Dave Matthews Band have a new album out, and boy howdy, it does not disappoint.
Well, fuck no-- of course I haven't heard it. I'm just referring to the singularly awful title: Big Whiskey and the GrooGrux King.
“But dude,” the hemp-stained wretches would protest, “GrooGrux was the nickname of LeRoi Moore, Dave's fallen band bro. Or maybe it was just Groo. Or Grux. Whatever, dude. Wanna hackey?”
No, hemp-stained wretch-- I most certainly do not want to hackey.
Now turn that baseball cap around and throw out those ratty sandals already. You're 35 for god's sake.
We solid?
Friday, June 12, 2009
IF YOU LISTEN CLOSELY
You'd expect Olivia Newton-John's cover of John Denver's Take Me Home, Country Roads to be noxious. And by any reasonable measure it is.
But I'm sitting here listening to it right now. I actually paid 89 cents for the damn thing.
The song plays a central role in Whisper of the Heart, written by Miyazaki, and I defy you to watch the movie and be a hater without reserve.
Context is king, my friends...
You'd expect Olivia Newton-John's cover of John Denver's Take Me Home, Country Roads to be noxious. And by any reasonable measure it is.
But I'm sitting here listening to it right now. I actually paid 89 cents for the damn thing.
The song plays a central role in Whisper of the Heart, written by Miyazaki, and I defy you to watch the movie and be a hater without reserve.
Context is king, my friends...
Wednesday, June 10, 2009
Monday, June 08, 2009
Friday, June 05, 2009
NEIGHBORHOOD
Started this week sitting in a wooden rocking chair, looking out at palm trees and feeling tiny fingers of humidity glide across my cheeks. For 5 minutes, I understood the allure of Florida.
Back in NOVA now, where it's been cold and rainy for two days straight.
Back to little obsessions as well, like that brief stretch in Wake Up (from about 1:23 to 1:27: “...colder/And I can...”) where the effects are suddenly removed from Win Butler's vocals.
I like it because it's weird and random, and I can't tell whether it is accident or design.
Kind of like my week, really...
Started this week sitting in a wooden rocking chair, looking out at palm trees and feeling tiny fingers of humidity glide across my cheeks. For 5 minutes, I understood the allure of Florida.
Back in NOVA now, where it's been cold and rainy for two days straight.
Back to little obsessions as well, like that brief stretch in Wake Up (from about 1:23 to 1:27: “...colder/And I can...”) where the effects are suddenly removed from Win Butler's vocals.
I like it because it's weird and random, and I can't tell whether it is accident or design.
Kind of like my week, really...
Thursday, May 28, 2009
FLO RIDA
My cell phone has a world clock feature. There’s a little animated globe, with throbbing yellow dots indicating key cities.
Asia, for example, includes dots for Tokyo, Seoul, Taipei, Manila, Beijing, Hong Kong, Jakarta, Hanoi, Singapore, Bangkok, Dhaka, Colombo, and New Delhi.
There are 9 cities listed in the Middle East, 12 in Europe.
And 1 in Africa: Cairo. That’s it. According to Verizon, Cairo is the only African city that rates.
You a racist, cell phone.
I’m Orlando bound on business. See you late next week.
As always, fight the power...
Tuesday, May 26, 2009
FLUSHING SURE BEATS BRUSHING
Back when I bought my first cassette copy of Combat Rock, I was surprised to hear the dialogue from a 2000 Flushes commercial pop up in the middle of Inoculated City.
Well, apparently so were the makers of 2000 Flushes, who didn't want their fine passive toilet-cleaning product associated with The Clash. So the offending section was excised from subsequent releases...
Back when I bought my first cassette copy of Combat Rock, I was surprised to hear the dialogue from a 2000 Flushes commercial pop up in the middle of Inoculated City.
Well, apparently so were the makers of 2000 Flushes, who didn't want their fine passive toilet-cleaning product associated with The Clash. So the offending section was excised from subsequent releases...
Friday, May 22, 2009
Thursday, May 21, 2009
FLOAT ON
Dear Modest Mouse,
So basically, this is what happened.
I bought The Moon & Antarctica back when. Really liked 3rd Planet, but hoped against hope that the rest of the album was more “The universe is shaped exactly like the earth/If you go straight long enough you end up where you were” than “I've got this thing that I consider my only art of fucking people over.”
Gravity Rides Everything followed, and was probably one of my favorite songs of whatever year that was.
But then by the next song, we were back to “And I'm real damn sure that anyone can, equally easily fuck you over.” And I'm afraid I pretty much cut bait right there. I mean, I might have listened through the rest of the album once or twice, but generally I just stuck with the openers and didn't wade in any farther.
In the end I realize that it wasn't you, it was me. It was needlessly judgmental of me to think that you had an ungenerous view of human nature. I'm like that sometimes, I guess.
Anyway, thanks so much for those two songs.
Peace and regards,
sliced tongue
Dear Modest Mouse,
So basically, this is what happened.
I bought The Moon & Antarctica back when. Really liked 3rd Planet, but hoped against hope that the rest of the album was more “The universe is shaped exactly like the earth/If you go straight long enough you end up where you were” than “I've got this thing that I consider my only art of fucking people over.”
Gravity Rides Everything followed, and was probably one of my favorite songs of whatever year that was.
But then by the next song, we were back to “And I'm real damn sure that anyone can, equally easily fuck you over.” And I'm afraid I pretty much cut bait right there. I mean, I might have listened through the rest of the album once or twice, but generally I just stuck with the openers and didn't wade in any farther.
In the end I realize that it wasn't you, it was me. It was needlessly judgmental of me to think that you had an ungenerous view of human nature. I'm like that sometimes, I guess.
Anyway, thanks so much for those two songs.
Peace and regards,
sliced tongue
Monday, May 18, 2009
WEEKEND VAMPIRE
Some weekend wisdom from the kids:
-I walked in on this conversation.
"You don't want to be a pervert, Sebastian."
"What's a pervert, Lana?"
"Someone who likes girls. Toooo much."
I walked out on this conversation.
-We were listening to a mix, and A-Punk came on.
"Why does he do that?" asked Sebastian, after the last 10 seconds or so resolved to silence.
"I... don't know."
And don't pretend you do either, smartass...
Some weekend wisdom from the kids:
-I walked in on this conversation.
"You don't want to be a pervert, Sebastian."
"What's a pervert, Lana?"
"Someone who likes girls. Toooo much."
I walked out on this conversation.
-We were listening to a mix, and A-Punk came on.
"Why does he do that?" asked Sebastian, after the last 10 seconds or so resolved to silence.
"I... don't know."
And don't pretend you do either, smartass...
Thursday, May 14, 2009
THROUGH RESTFUL WATERS
Random drive-home thoughts:
Random drive-home thoughts:
- Top 2 Beach Boys' Songs I Liked When I Was 9 But Didn't Realize at the Time Were Beach Boys' Songs
- Darlin'
- Sail On Sailor
- If Neutral Milk Hotel were ever to tour again, I think I'd be stricken with Stendahl syndrome just trying to order the fucking tickets.
- That Maps video was pretty damn sweet...
Wednesday, May 13, 2009
Monday, May 11, 2009
Friday, May 01, 2009
MISGUIDED BY VOICES
For all this time I’ve considered The Official Ironmen Rally Song to be an elegy to Kurt Cobain, something along the lines of You’re One and Butch by Imperial Teen: a lesser indie god’s conflicted paean to the one who spilled His blood.
Lines like “To die alone/To build a private zone/Or trigger a synapse/And free us from our traps” and “Confirmations through the wire/Spitting gas into the fire/Have I lost a worthy adversary?” seemed to support this.
Well, for some reason I looked up the lyrics online yesterday, and discovered that Robert Pollard actually sings “To dine alone” not “To die alone.” What’s more, where I heard what I thought was a tinge of a fake British accent in “Have I lost a worthy adversary?” is actually a very Ohio “Am I also worthy of a drink?”
It’s still a great song.
Hell, it might still even be about Kurt.
Sometimes it is in ignorance that we are more content…
For all this time I’ve considered The Official Ironmen Rally Song to be an elegy to Kurt Cobain, something along the lines of You’re One and Butch by Imperial Teen: a lesser indie god’s conflicted paean to the one who spilled His blood.
Lines like “To die alone/To build a private zone/Or trigger a synapse/And free us from our traps” and “Confirmations through the wire/Spitting gas into the fire/Have I lost a worthy adversary?” seemed to support this.
Well, for some reason I looked up the lyrics online yesterday, and discovered that Robert Pollard actually sings “To dine alone” not “To die alone.” What’s more, where I heard what I thought was a tinge of a fake British accent in “Have I lost a worthy adversary?” is actually a very Ohio “Am I also worthy of a drink?”
It’s still a great song.
Hell, it might still even be about Kurt.
Sometimes it is in ignorance that we are more content…
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